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Streaming Miracle Online. Product: Miracle Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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As the Frosty War fades into memory, it is hard to elaborate the on-going, almost mystical fascination with The Miracle on Ice; the defeat of the vaunted Soviets by a bunch of unknown American college kids. Yes, national pride plays a immense role, and more generally everyone loves an underdog. But I mediate what has really made this event such a cultural touchstone is the pure joy that surrounded it. Across the nation, and the world, for a myriad of reasons, but distilled and purified in the players and coaches who pursued their dream not for fame and fortune, but because the only dreams worth chasing are the hard ones.

“Miracle” captures this spirit down to the smallest nuance; in a day and age when you are as likely to read about athletes in the police blotter as the sports page, it is refreshing to discover people play for the pure joy of sport and like of the game. The ability to acquire this appreciate of the game was made possible by the fact that every single one of the actors portraying a hockey player was first and foremost an staunch hockey player. That’s not to say they can’t act, but they sought out the opportunity because they have scored Eruzione’s game winning goal a thousand times on a rink or pond or even on asphalt and they wanted an opportunity to tap into a miniature bit of that magic. They didn’t audition for “Miracle”, they tried out for it, and once they had the job, they went to training camp to prepare for filming. This attention to detail comes through in spades; I know hockey, but you don’t have to be an expert to realize these guys are in grand shape and have been on the receiving ruin of a check more than once.

In incompatibility to these raw and unseasoned actors stands Kurt Russell, a Hollywood frail (and admittedly a very vast hockey fan) . His portrayal of Herb Brooks is stupid on; from the state and mannerisms down to the single minded determination to beat the best team in the world. Moreover, his punishing conditioning regimen and mind-bending schemes are accurately portrayed without bogging down in details that would likely bore even dedicated fans. The supporting cast is likewise strong, and wisely tiny in grand share to honest Brooks’ wife and assistants. This focus mirrors the plot Brooks lived the game and minimizes distractions.

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So the film has staunch hockey players and pleasing actors in all the key roles but the most daunting task for the director calm remained: how to record a game where the outcome is know when the NHL hasn’t found an entirely effective understanding for live games. The retort was to exercise as many ice level shots as possible, which serves a twofold purpose. The first is that it is great easier to follow the puck when it is the focus of the shot, and at the same time, when a hit or injury is the key portion of the scene, the puck isn’t a distraction. The other reason this near is successful is because this player’s notice concept of the ice injects a sense of urgency that makes victory seem in doubt even when it is a known factor. A corollary to this advance is in the story of the game with the Soviets; the director wisely chose not to reinvent the wheel and conventional Al Michael’s definitive call, which includes key commentary from Ken Dryden which can be informative for the non-hockey fan.

In the raze, what this all adds up to is the perfect encapsulation of the joy I referenced above. The chilly hard fact is that we are unlikely to ever watch such joy in sport again, as professionals have reach to dominate Olympic team sports and high schoolers join the pro ranks as soon as they graduate and middle schoolers go to strength and conditioning camps under relentless pressure from their parents. What “Miracle” portrays is a joy born of a esteem of competition, a fancy of sport and a savor of teammates that has become all too rare. That’s not to say that this movie only portrays sunshine and roses, but the ultimate goal transcended any one individual. Some of the best scenes in the movie have nothing to do with hockey, but rather the camaraderie that comes from sharing simple things with helpful friends.

Superb in its portrayal of perhaps the greatest sporting event of all time in every aspect - from acting to wardrobe to the game on the ice, “Miracle” is an absolute joy to perceive. It wisely frames the geo-political import of the game and then sets it aside, focusing instead on the beauty of sport and the satisfaction of hard earned accomplishments.

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Jake Mohlman.

The first hockey games I ever watched were during the 1980 Winter Olympics and I know I was not alone in that respect. It took a while to understand what a blue line had to do with icing the puck and I have never gotten past the thought of what basketball would be like if it was played the same draw as hockey (you are allowed to noxious the guy with the puck/ball) . But I remember watching the games the U.S. Hockey Team played against the Soviet Union and Finland. How titanic was the miracle that Al Michaels proclaimed during the final seconds of the semi-final match against the Soviets? Well, when “Sports Illustrated” came out the next week there was no need for a headline or caption on the screen photo of the U.S. team celebrating.

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Knowing what is going to happen in “Miracle” is necessary because if we did not know that this team is going to bag the gold medal then we might suspect the means that coach Herb Brooks (Kirk Russell) is using to do that kill. Brooks is timorous by the 1960 Winter Olympics, when he was cleave from the U.S. team a week before it won the gold medal. It was also the last year the Americans beat the Soviets on the ice and Brooks knows how to pull off the upset against the best hockey team on the planet. All it will buy is a team that he handpicks playing the draw he wants them to play.

The best fragment of this film is watching how Brooks does exactly that and then becomes basically a spectator and cheerleader when his team goes out and wins the gold medal. Director Gavin O’Connor hits a bulls gawk with the casting of Russell, who should derive serious Oscar consideration for his performance. The hard driven coach who puts his sport before his wife and family is something of a cliché, but what matters here is how Brooks’ determination and intelligence comes through as he molds his team.

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The production also scores because they went out and got hockey players to act instead of trying to fallacious us out the other blueprint around. The only exact professional actor on the team is Eddie Cahill, but he plays goalie Jim Craig. You can build anybody you want tedious a camouflage in goal on the ice (feeble Edmonton Oilers’ goalie Bill Ranford in fact) and because Craig was such high maintenance and high profile he was the one role where you needed to up the acting level. But Michael Mantenuto as Jack O’Callahan, Patrick O’Brien Dempsey as Mike Eruzione, Nathan West as Lift McLanahan, Eric Peter-Kaiser as Note Johnson, and the other 15 players on the team are playing exactly what they are: hockey players brought together to obtain a team.

One thing I was surprised about in the film was that there is never an explicitly stated reason why Eruzione was picked as the team captain. Yet in the context of the film I was accurate in thinking that I knew exactly what Eruzione was going to do that was going to earn him stand out as first among his teammates. (You will know what I am talking about when the moment comes) .

The fidelity to recreating the moments we remember from the 1980 Olympics was quite impressive. You can check out the added features on this two-disc DVD place to gaze order comparisons of the television footage from the exact games with the movie’s re-creations as well as the techniques worn to give you a dynamic feeling of being on the ice. Of course getting Al Michaels to “call” the games again was a necessity and it is not surprising that they worked in the unique version of his noted line that gives the movie its title. You can re-create history but you cannot really improve on it, although this 2004 film does a nice job of trying to achieve that particular feat. I objective wonder if those who know nothing about what happened at Lake Placid in 1980 can relish that as worthy as those of us who do.
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Stream Teenage Angst Movie Online. Product: Teenage Angst Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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“Teenage Angst”

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A Different Glance at Adolescent Males

Amos Lassen

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There is something about boys’ boarding schools that cheerful men appreciate unbiased as it is with prisons. We know that many young men have their first same-sex experiences in boarding schools and that is obviously what makes dramas about these schools so enticing. Narrate This Entertainment has acquired the rights to “Teenage Angst”, winner of the Silver Believe at the 2008 Berlin International Film Festival and it is now ours to conception in the comfort of our homes.

“Teenage Angst” is the anecdote of youth abused power as it carefully examines what happens when young men need to belong to a group but do not understand the consequences of acceptance.

Four young male students from wealthy families at a resplendent picturesque boarding school in Germany design a clique which maintains sexually charged rituals and rites. They try to atomize lose from their rich existence and at night they sneak away to party, swim naked and play games that become increasingly hazardous. As always happens, the boys with stronger wills rise above the weaker boys and as can be expected, poor things commence to happen.

Here is a novel catch on motiveless violence, of teens searching to regain themselves and the discovery that the youth have desires as well as depressions. The memoir is not graceful but it is enlightening and shows what goes on in the mind of many teens. In this case the boys are able to act upon what enters their minds. The film is directed by Thomas Stuber and is an auspicious first pudgy length film debit.

On the same disc is included a homoerotic short film by French director Pascal-Alex Vincent, “Baby Shark” which was nominated for the Palme D’Or at the 2005 Cannes Film Festival. Here is another record of teens gone astray and it looks at what happens from three different perspectives. In the first, a misguided young boy asks a heterosexual couple to allow him to become sexually indulged. The second is about a young male/female couple that is forced to speak with a young man who has attached himself to the male of the couple and the third is about a young man who makes advances n his identical twin brother’s girlfriend.

Both film gives us a ogle at a different aspect of youth and opens our eyes to aspects of adolescence not known to everyone.

I couldn’t accumulate through this fragment of crap. If watching rape, torture and other acts of cruelty does it for you, well, that is dark. But if so, ogle for a movie that has better production values - and certainly better looking actors.
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My Darling Clementine Streaming. Product: My Darling Clementine Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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This is arguably the best Western by the best director of Westerns in the history of the genre. Ostensibly the epic of the gunfight at the O.K. Corral, the legendary John Ford gives us a vision of the Feeble West that is violent yet idealized, monstrous yet warm, grim yet majestic. Ford has often been called a visual poet, and the sublime “My Darling Clementine” is perhaps the best example of visual poetry that anyone has ever establish to celluloid.

Forget about comparing this film to exact historical events. While Ford knew Wyatt Earp from his early Hollywood days when Ford was a prop boy, and he claimed that Earp told him how the gunfight really happened, he also said he wasn’t trying to develop a documentary when he directed “Clementine”. The “facts”, whatever they may be, don’t matter here. As the newspaperman tells Senator Ransom Stoddard in Ford’s “The Man Who Shot Liberty Valance”, “When the myth becomes fact, print the fable.”

Henry Fonda’s Earp is the classic Ford hero, somewhat distant and removed from society, quietly confident and basically nonviolent, but nevertheless commanding the remark respect of others (partly because of his reputation which has preceded him, and its inherent threat of violence) . And, most importantly, he is ultimately unable to section in the peace and security that he makes possible for others. Next to his portrayal of Tom Joad in Ford’s “The Grapes Of Wrath”, this is perhaps Fonda’s finest performance. He has never appeared more frigid and comfortable in a role, as he laconically and assuredly inhabits the lawless frontier town of Tombstone.

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Contrasting Wyatt’s sanguine pragmatism, Doc Holliday (Victor Ragged) is a frightened, tragic outcast who has uprooted himself from civilization and drifted West. We learn that Doc was once a surgeon (the actual Doc Holliday was a dentist, another negligible historical discrepancy), a vital, functioning member of society, his career presumably slit short by alcoholism, consumption and undisclosed ghosts, which apparently quiet haunt him.

The Clanton family provides the reason for Wyatt’s accepting the job as marshal of Tombstone, by murdering his youngest brother, James, and making off with the Earp brothers’ cattle. The miscreant Clantons, like the Cleggs family in Ford’s “Wagonmaster”, are the personification of foul, demented and motherless. The leader of their clan, known only as “Pa” (ominously played by Walter Brennan), would like nothing better than for Tombstone to remain start and lawless and free for the taking.

Clementine Carter (Cathy Downs) appears as a civilizing angel from the East, who has arrive to rescue Doc from himself and bring him wait on to Boston (Ford’s eternal bastion of Civilization in the worst sense, invariably inhabited by bigoted grotesques - though Miss Carter seems to have been spared this characterization) . The tempestuous Chihuahua (Linda Darnell), who wants to urge away with Doc to Mexico, embodies the wild, begin frontier.

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While the climax naturally takes spot at the O.K. Corral, the centerpiece of the film, as in many Ford films, is a dance. Its prelude unfolds majestically as Wyatt and Clementine meet in the lobby of the hotel and originate a stately spin toward the framework of the unfinished “first church of Tombstone”, the sound of a tolling church bell and the strains of one of Ford’s weak common hymns, “Shall We Bag at the River” growing louder as the couple approaches the assembled congregation. Like many titanic moments in spacious films, the beauty of several elements melding flawlessly to beget this sequence defies verbal description.

The church, to Ford, helps legitimize the existence of a community, not only for religious reasons, but as a area where people can approach together in fellowship, providing a foundation for that community’s future existence. The dance, which takes plot on the physical foundation of the unfinished church, is the turning point of the film, and provides possibly the most transcendent moment in all of Ford’s work. It is the embodiment of the spiritual establishment of a trusty and lasting community, which, until the arrival of Wyatt and Clementine, and all that they stand for, had no solid foundation.

Ford’s utilize of comedy, often criticized for its broadness (but of which he was nevertheless proud), is sparing and deft in “Clementine”. It is gentler and more restrained than his usual comedic fare, as in the droll references to the aroma of the eau de toilette which the involved proprietor of the Bon Ton Tonsorial Parlor has applied to Wyatt’s freshly shaven and coiffed person: “I appreciate your town in the morning, Marshal”, says Clementine, as she and Wyatt step out onto the front porch of the hotel; “the scent of the desert flower . . .” “That’s me,” corrects Wyatt, adding, explanatorily, “Barber.” There is also the justly praised bit of business of Wyatt doing his seated “dance” on the front porch of the hotel, as he, somewhat passive aggressively, ignores the shrewish admonishments of Chihuahua. This casual, reportedly spontaneous creation of Fonda’s (or Ford’s, depending on the source) succinctly captures the essence of the relationship between the two characters.

Ford’s innately masterful sense of composition and lighting, which he displayed throughout his career, is magnificently displayed in “Clementine”. The sweeping diagonal of the bar in the saloon as Wyatt walks to the door after Chihuahua’s operation; the expressionistic shadows which constantly envelop the doomed Holliday’s face; the somber, monumental tableau of Wyatt and Morgan, bending over the plain body of their brother Virgil in the street at night; all of these images resonate indefinitely in the viewer’s memory, and all content a visual master in his prime.

Many of the reassuringly familiar faces of Ford’s legendary “stock company” are faithfully indicate, as was nearly always the case - with runt variations - over the years. Ward Bond, Jane Darwell, Russell Simpson, Mae Marsh, J. Farrell MacDonald and the ever-present, ever-endearing Francis Ford, John’s older brother and faded mentor (and a traditional of Hollywood from its infancy), all add their warm, familial qualities, counterbalancing the darker aspects of the film.

Of all the Westerns I’ve seen, “My Darling Clementine” is the most eloquent, the most understatedly awe-inspiring - the most poetic.

John Ford printed the yarn. Sublimely.

If you’re looking for a straight-forward, fair presentation of the events leading up to the ‘Gunfight at the O.K. Corral’, please hold ‘Wyatt Earp’, or ‘Tombstone’ from Amazon.com…But if you rob your history more spiritual, and want to gawk a master storyteller paint a visual canvas of a West that may never have existed, but SHOULD have, then this film will be a treasured section of your video collection!

John Ford knew Wyatt Earp, personally, and was familiar with the events surrounding the Tombstone shootout, but one of his greatest assets as a director was his ability to recognize beyond simple facts, and focus on epic. ‘My Darling Clementine’ is a epic of icons, of the Loner, battling his fill weaknesses, and creating something lasting, then walking away, to allow Civilization to grow. It’s a classic theme in Ford’s work (he would return to it in ‘The Searchers’, and ‘The Man Who Shot Liberty Valance’), as well as in many other directors’ westerns (’Shane’, ‘A Fistful of Dollars’, ‘The Wild Bunch’) .

While Wyatt Earp (wonderfully portrayed by Henry Fonda) is surrounded by his brothers in the film, he has an aloofness that makes his character both complex, and enigmatic at the same time. At the film’s originate, he’s a cowpuncher, who had walked away from the responsibilities of being a lawman, finding satisfaction in the hard work and solitary life of the range. When the Clantons (led by Walter Brennan, in one of his greatest roles), first reach the brothers, while Wyatt accepts an invitation to accept a taste of city life, it’s positive that it will be a brief quit, before he moves on, and he brushes aside any overtures of friendship.

His lack of desire to commit to a larger community is stressed after he barehandedly captures a drunken Indian (based on an steady event in Earp’s life), then turns down the Marshal’s badge. Only after a brother is murdered do the Earp brothers agree to assist dapper up the town.

In counterpoint to Earp is Doc Holliday (sensitively portrayed by Victor Stale), an shining who fled the South, and had found his bear solitude by virtue of his guns, his gambling, and his illness. While Earp is a accurate ‘Man of the West’, however, Holliday is a fish out of water, truly comfortable only in a crowded bar. He is doomed, more by his bear afraid world, than by the disease that forces him to cough into his handkerchief.

The scenes of Earp in the town are unbelievable, as Civilization builds around an depressed stranger. Yet Earp toys with the opinion of settling into this world, through his politely formal relationship with Doc’s lost esteem, Clementine. The scene at the church dance, where the stiffy formal Earp dances against the vista of a West being ‘boarded in’ is symbolic of what his gain life was becoming, and is classic Ford!

The climactic shootout is mighty and raw, ultimately freeing Earp from the constraints of a life that would have been unnatural for him, and ending the downward spiral of Holliday’s life, in an daring gesture.

It’s often asked why Earp leaves, afterwards, when Clementine and the Tombstone are so comely…The retort is simple, really; his work is finished, and their future will be constrained into a world of wood and ‘progress’. The Loner, the ‘Man of the West’ would have no set there. Like Ethan, or Shane, he must return to the solitary vistas that are his right home.

What a memoir! What a film!
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One of the worst movies I’ve ever seen.

Having said that, “The Unlit Six” (a joke gift from a goofy friend), is fully delightful.

It looks like it was shot in a couple of days using bits and pieces of discarded scripts that had been haphazardly glued together.

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The best fragment is watching these football legends (and they are legends, 4 of them are in the Hall of Fame) act.

Of particular interest is the hilarious plot that Lem Barney uses to quell his opponents. Lem (who I don’t consider had one line in the movie) practices a type of martial arts that can be described as “Statue Fu”) .

He leans forward and places his foot on the chest of an opponent. That’s it, and that seems to be enough to immobilize the opponent.

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Other titanic abominable scenes abound.

Of particular interest for Football fans is watching Carl eller in scenes where he is shirtless. Eller was considered a huge man at the time and at 6′ 4″ and about 250, he is an impressive specimen. But 30 years later, there are wide receivers with those measurements. He would be about 80 pounds too light to develop it in today’s NFL.

Maybe the “Murky 6″ should have been chasing steroid dealers instead of southern racists.

Wonder if it’s too behind for a sequel?

Football players don’t always originate large thespians, but sometimes players will try their hand at the colossal shroud. In 1974, six of the biggest stars of the NFL appeared in “The Dim 6.” San Francisco 49ers wide receiver Gene Washington stars as Bubba Daniels, a Vietnam faded home from his tour of duty, making up for lost time with his five closest friends from the Army. They are Jr. Bro Williams (Carl Eller), Bookie Garrett (Mercury Morris), Frenchy LaBoise (Lem Barney), Tommy Bunka (Willie Lanier), and Kevin Washington (Joe Greene) . One day, after completing some work on a farm with his buddies, Bubba checks his general delivery box, and learns that his brother Eddie (Robert Howard) has been killed. Moose King (John Isenberger), the leader of a motorcycle gang in Bubba’s home town, killed Eddie because Eddie became alive to with Moose’s sister, Jenny (Cynthia Daly) .

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Bubba comes home to gather answers and justice. The police and most of the locals know that the motorcycle gang had some involvement, but nobody’s willing to challenge the gang’s alibi that they were out of town when Eddie died. The only people who are willing to befriend are an obsolete barfly and Ceal (Rosalind Miles), Bubba’s primitive girlfriend who started turning tricks when Bubba didn’t advance straight home from the service. With their serve, Bubba goes to the biker bar where Moose and his gang frequent, and Jenny works as a waitress. Bubba and Moose nearly decide the come by in the bar, but the police fracture up the confrontation and disclose everyone to leave unless they want to obtain arrested. That gives Moose time to meet with Thor (Ben Davidson), the leader of another local motorcycle gang, for serve in dealing with Bubba on a permanent basis. Bubba’s friends, concerned for their friend’s safety, reach to town to provide muscle for Bubba. Thus, the stage is place for the predictable showdown between the gangs and the Dismal 6, with equally predictable results.

First, let me give you the unpleasant news about “The Sad 6.” There isn’t a single credible performance in this movie. In addition to The Sunless 6, Moose, and Thor, several other pro football players and baseball spacious Maury Wills perform equally thankless appearances. Neither writer George Theakos nor director Matt Cimber try to give any dimension to any character besides Bubba. The music by David Moskoe is a unpleasant imitation of Curtis Mayfield’s “Superfly” win. The title song says the guys don’t watch for danger, yet it also says they appreciate “ladies, bikes, and fighting.” That confusion never ends. The climactic fight scene is horribly lit, making it impossible to distinguish the gracious guys from the abominable. When Moose’s gang is killed by The Sad 6, Thor’s gang decides to burn them to death with road flares. The Dismal 6 throw them aid with hits that cause bikers to burn, and their bikes to explode. The rest of the bikers earn wiped out when their attempt to play kamikaze fails.

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Now here’s even worse news about the film. It’s as dismissive of unlit people as it is of whites. Most blacks are dismissed as drunks, gamblers, and hustlers, and most whites are dismissed as hateful of non-whites. The more “The Dim 6″ dwelled on these traits, the more vile I found the film. Thankfully, I only had to endure this filth for only about 85 minutes. The only thing that trumps the ineptitude of the film in general is its misguided, misanthropic understanding of human beings. I had shameful expectations for this DVD, but I don’t want my $4 curiosity investment to do me feel as repulsed as this movie did. The movie ends with this ominous warning: “Hassle a brother…and the Gloomy 6 will return.”

“The Sad 6″ makes Fred Williamson films study like high art in comparison - and both cost the same notice. “The Sad 6″ is one of the worst movie experiences I’ve ever had. Avoid this film, even at its cost. Nothing suited will reach of viewing it. This isn’t fair blaxploitation. This is total exploitation. Shame on the filmmakers.

Originally published on Epinions.com.

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Buy Saw IV DVD. Product: Saw IV Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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I could always sympathize with John Kramer(jigsaw) on some level because i watched my mother die from cancer. he has easily become my common character in the genre. seeing this installment impartial shows even more, the man was a genius. zigzag as he may have been.

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this movie focuses on the events in the aftermath of Saw III and Jigsaw’s past. We survey more of what drove him to the point he was at, and we accept to contemplate his first game.

the main storyline is about Detective Riggs trying to win Detective Matthews from Saw II. its now been 6 months since his disappearance. i dont want to give anymore info away, b/c realization is half the fun with this series. ill unbiased say it goes succor and forth between Riggs region and looks into Jigsaw’s past.

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The overall tale is by far the most racy in my idea, even if only for the better notice into John’s past. not that the rest of the movie falls short, this is possibly the most sharp in the series. the traps are very clever, and in a case or two the pons really seem to deserve their fates.

i dont know how they’ll withhold the series going after this entry. Tobin Bell(Jigsaw) is the face of this series and a future terror icon. edifying movie.

SAW IV was a astronomical addition to an already unbelievable series. it fits in nicely with the rest of the series and adds a whole modern narrative line… this unique tale line (which i wont say) is revealed at the extinguish and was very unexpected. i was shrinking that they were able to near up with such a tall twist.. the dwelling may be confusing to some but just saw fans will understand. this is deff a movie that you need to contemplate more then once assume in all the info given

the location of saw 4 has Rigg(saw 2 & 3) as the main character. Rigg wakes up to a tape and instructions from jigsaw. Rigg is forced to come by over his obcession with trying to put everyone. he must learn to let people execute their fill decisions and attach themselves.

the traps are very though-provoking and ugly. Jigsaw’s life is also explained more in this film. we learn his past and why he became what he did.. we also survey his first trap.

everyone should gape this movie and add it to their saw movie collection
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Another WINNER, from Michael Anderson (Eating-Plus 3rd Edition) . 1.3 million Americans will be diagnosed with Cancer, this year! Another 550,500 will die, from it. This amazing DVD is timely, well researched and riveting. It will shake the CANCER industry $$$ to it’s very foundation! “Healing Cancer From Inside Out” will save everything into perspective. You will never alarm CANCER again. This is a very considerable and empowering documentary. Gather out why 8 out of 10 Oncologists will neither employ nor recommend Chemo therapy (a derivative of mustard gas) to family or friends and why many opt for Alternative therapies! Learn how millions are spent annually to suppress alternative therapies and how potential cures were taken off the market. One example is Lane Laboratories. They developed a very effective immune boosting mushroom complex (MGN3) . Yet, they were place out of business, by the FDA, when they dared to advertise to the Cancer community! This DVD should be required viewing, by every American man, woman and child. It’s an absolute MUST, for every CANCER patient! Thought it, apply it’s wisdom and then fraction it with family and friends. This DVD is a life saver! Donate a copy to your local library or church organization and encourage spread the word! CANCER does not have to be a death sentence, ANYMORE! This DVD is proof obvious that CANCER is a preventable and reversible disease. There has always been a very grand and effective cure for Cancer…….it’s our immune system! Yet, ALL Cancer therapies suppress the immune system and cause secondary Cancers! Mammograms CAUSE breast Cancer! Jumpy? I’m not! Radiation causes Cancer! Before you Scuttle for the cure, contemplate this DVD. Gain the facts. Cancer is a Multi Billion dollar industry, that relies on panic mongering, toxic drugs, propaganda, stride, counter sail, lies, counterfeit hope, misinformation, tons of advertising, skewed studies, celebrity endorsements, government subsidies and the FDA, to enforce its will. At the top of this industry there are the obscenely grand salaries, corporate jets and appreciate office towers. At the bottom, there are the well intentioned, edifying hearted and hard working volunteers. Sadly, there are more organizations PROFITING from this disease, than there are patients! I also recommend: “A Cancer Battle Notion”, “Beyond Treason”(DVD) and “In Lies We Trust”(DVD) . Learn how live Cancer viruses are added to well-liked childhood vaccines and how “AIDs” was an immune destroying weapon, 15 years in the making, specifically designed for the military and unleashed on the world. Yes! WE literally gave the world……AIDs! There are currently over 800,000 organizations profiting from the AIDSs “epidemic”. Bag a cure? NEVER. For, it’s ALL about PROFIT & unmitigated corporate greed!!! It’s up to us, to observe the truth, to empower ourselves, to act and to become a clear force for change! Let’s prefer the profit out of Cancer! Let’s practice PREVENTION. Let’s derive healthy, NOW!

Very worthy movie/documentary!! EVERYONE NEEDS to witness this along with his previous doc “Eating!” Powerful of this info is available if you have the time and energy to read, research, read, research, read… the internet and obvious books out there, but most people do not have that luxury these days and this documentary puts worthy, scattered-in-many-different-areas, information into a very well done video. I am one of those voracious readers and researchers, but even some of the information he presented was modern to me. Astonishing movie! Cannot recommend highly enough!!!! Do yourself a favor and behold both of his movies!!!
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Sir Walter Scott’s Ivanhoe Streaming. Product: Sir Walter Scott’s Ivanhoe Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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I greatly enjoyed this rendition of Sir Walter Scott’s famed fresh. Although there are considerable area deviations, the series is well acted with fabulous costumes and sets correct to the period. The theatrical talent of every single actor in this series was simply outstanding and their sizable performances made the characters multi-dimensional in scope expressing all the nuances of human nature.

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Steven Waddington plays a very strong role as Ivanhoe: champion of the absent Richard The Lion Hearted and fiancee of Rowena (Victoria Smurfit), his dear once betrothed who’s now promised by his father to Lord Athelstane. Ciarn Hinds (’Excalibur’, HBO’s ‘Rome’) gives probably the best performance as Sir Brian De Bois-Guilbert, the obnoxious Templar knight whose hatred for Ivanhoe is as expansive as his passion for Rebecca (Susan Lynch), the Jewish healer. Lynch as Rebecca herself delivers one of the best performances as a woman whose forbidden passion for Ivanhoe saves the kingdom from the Templars and Prince John. There’s even a brief appearance by Sian Philips (I, Claudius) as Elenore D’Aquitaine, the queen mother who comes to arbitrate between her feuding sons John and Richard. Another outstanding performance was by Christopher Lee (Scaramanga in Bond’s ‘Man with the Golden Gun) who makes his first performance for the BBC in over 50 years. His role as the sadistic and zealous Stout Templar is convincing enough to give anyone the creeps.

The costumes and armor properly depict the armaments and fashion of the 12th century. The series is filmed on space in Wales showing a few of the many medieval churches, abbeys, manors, and castles that dot its landscape thereby adding to the film’s feeling of authenticity. The film is perhaps graphic in violence but this captures the brutality of medieval warfare quite well. Alltogether a big mini-series that has more distinct qualities than shortcomings. The chronicle is fluid and the acting is superior. Definitely worth owning.

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With all the other reviews listed here, I will be very brief.

After reading a few of these other reviews I’m not distinct they watched the same movie I did! Boy, how people can examine the same thing differently.

However, I watched this production when it first appeared on A&E assist in the 90s and recorded it on VHS; later as the DVD was issued I bought that. Courses on medieval history caught my interest in college, and this movie is the best portrayal of that time I’ve ever seen, others may contemplate otherwise, I do not.

All I can say is that if you like the time period you will miss a very well done production if you skip this one. It is one of my current films, only plight being like SHOGUN, you must alot several hours to seeing it.

Remember I said I would be brief: Go Out And Hold This One.

(4 you may be very sorry if you don’t)

Semper Fi.
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Buy The Guild - Season Two Blu-Ray. Product: The Guild - Season Two Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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The new season of The Guild, which took online gamers by storm on YouTube, poked gentle fun at its target audience. But any mouse-clicking geek watching could voice that producer/writer/star Felicia Day was one of them. The game references, the acronyms and slag, and even the archetypes of each member of The Guild are instantly familiar–but fortunately the reveal expanded on the archetypes to produce characters that offered precise humor and a few surprises.

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Season Two does everything the first season did, only better. Codex — the character name an Ultima reference if you’re an 80s computer gamer like me — level-headed delivers her webcam opening monologues; Zaboo unexcited tactlessly pursues an unwelcome relationship; Vork unexcited lives only for the game, tracking each penny of his expenses to fill his frighteningly cheap lifestyle. But we learn a bit more about each character this time, as the tale builds from what we saw in the first season and actually includes several threaded subplots as well. The valuable focus is on care for and lust, with a dose of betrayal and revenge for great measure. To Felicia Day’s credit she’s willing to evolve the characters’ relationships and shake up the place quo by the destroy of the yarn.

The production value is far higher than in the first season. While some fans complain they miss home-spun feel of the YouTube videos, I concept it was large to peek production quality matching network television sitcoms. There are more locations revealed, the most fun definitely being Vork’s scary home in a poor share of town. I watched the season in HD Video on my X-Box with a nice sound system, and the reveal looked and sounded large.

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In short, anyone who enjoyed the The Guild is in its first race will rep lots to like in Season Two. The characters, relationships, and humor from the unique is all there–with a larger world with additional people for the Guildies to play off of. With a broad trace, bonus features, and the knowledge you’re supporting the future of the exhibit a DVD select would seem to be a no-brainer!

I’ve spent 10 years working in the game industry and a sterling chunk of that time was for G4TV. When I first saw The Guild I realized that it was exactly the type of programming that a videogame-centric network needed. It understands its audience, it’s genuinely humorous, the characters are fun and entertaining, and I dare any geek not to drop in like with Felecia day’s Codex. Season Two sees this present derive the funding it deserves and the team leisurely it proves that they know what they’re doing on everything from a production standpoint to the record. Droll, heartwarming, charming, and geeky, it’s everything a geek like me would want.
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Buy Waterworld Blu-Ray at Amazon.. Product: Waterworld Average customer review: Amazon Price: Sale Price Too Low To Display Click Here To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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I wish they could have set out the extended version as i have it on dvd and will have a hard time watching this vivid there are bits missing.

Love the movie though. Dunno why there are so many Costner h8ers out there.

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I’m a large fan of this movie.

I had preordered it and view it included the Extended version. I would have rather owned the version

that adds 40 minutes and makes a more delightful movie experience.

I was dissapointed to regain out it was the novel theatrical version only.

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If I had known that, I wouldn’t have purchased it. It’s broad have Waterworld on Bluray, it looks extraordinary,

but I would have rather waited for the extended version that I’m obvious will reach out eventually. The movie companies always have to gain a intention to compose an extra buck at our expense by making us by the same movie twice.
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Buy Bedknobs and Broomsticks Enchanted Musical Edition Blu-Ray at Amazon.. Product: Bedknobs and Broomsticks Enchanted Musical Edition Average customer review: Amazon Price: Sale Price Too Low To Display Click Here To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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Ever since I was a child, this magical Disney classic has always captured my imagination. The improbable songs by the Sherman brothers, the fantastic mixture of live-action and animation, and the magical special effects acquire this timeless film provocative to viewers of all ages. The casting was expansive, especially David Tomlinson, who was also terrific in “Mary Poppins” and “The Savor Bug”. My two common scenes in this are the hilarious soccar match and the “battle” at the extinguish between the knights and the German soldiers. By the scheme, the scene where the “flying” dress lands on Roddy McDowall is the only scene (that I know of) where you can clearly inspect the wires attached to a flying object or person in the movie. This is easily one of Angela Lansbury’s best performances, and it’s one of the best films directed by the enormous Robert Stevenson (Disney’s greatest director ever in my humble idea) . I was a slight disappointed by the “special edition” dvd. It claims to have a featurette on the making of the film, but the featurette focuses only on the film’s music. I was hoping for a documentary explaining the staunch making of the film, especially the amazing special effects. At least the movie has been wonderfully restored and is very well-priced. This big film is highly recommended for Disney fans.

In 1971, Bedknobs and Broomsticks, a film many call a Mary Poppins rip-off, premiered at Radio City Music Hall, but in a version in which nearly half an hour of footage, including chunky songs, was removed. For its 25th Anniversary in 1996, Disney re-inserted all of the deleted footage except for one musical number in which the narrate was lost. The Academy Of Motion Portray Arts And Sciences screened this in 1996, but it didn’t regain a theatrical release, and for years, the only blueprint Americans could gather it was either by the 1997 laserdisc release, an import of a European video, or by catching it on occasion on the Disney Channel.

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Finally, in 2001, for the film’s 30th Anniversary, Disney released a DVD with this extended version of the film. Restored and remastered, the film now has a clearer site, extended musical numbers, and songs previously deleted. The knowing “Portobello Road” number is now restored to its recent running time, as well as Miss Price’s response verses, titled “Don’t Let Me Down” during Mr. Browne’s song “Eglantine,” and the previously entirely deleted songs “With A Flair” and “Nobody’s Problems” are restored to the film.

The DVD is a mixed bag. The transfer is quite nice, but Lowry Digital, who did the new Mary Poppins, Bambi, and Cinderella DVD restorations, could punch it up a minute, as on occasion, I saw a bit of grain, and the occasional film artifact, especially during the closing credits and Walt Disney Pictures logo. However, this film has detached never looked better on home video, so it’s attractive with me.

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The extras could have been better. An genuine making-of on the film would have been nice, including footage old in the Music Magic featurette. While that featurette does give some nice insight on the restoration, there’s nothing behind-the-scenes about it except for the creation of the music salvage. Nothing about the effects, actors, nothing. But it’s worth a gape for info on the film’s 1996 restoration. A larger gallery would have been nice. I do like the inclusion of the two cartoons. And of course, I’m cheerful to spy that they have included theatrical trailers.

The best supplement, however, is the deleted song A Step In The Upright Direction. That song was the catalyst that jump started this restoration project to start with, so there’s a bit of irony here in the fact that they couldn’t net the footage of the song. So the supplement on the DVD, which is ported over from the 1997 laserdisc and was shown after the movie when the Disney Channel aired the restored version, is reconstructed using detached photos of the scene and the new soundtrack. Hopefully one day, the footage will be found and they will be able to reinstate the number into the film, or at least they’ll choose to include the photo reconstruction a la the restored version of A Star Is Born with Judy Garland.

Some have complained that there isn’t an option to spy the novel, shorter version due to its length and/or the terrible dubbing of the voices in deleted scenes. (For worthy of the non-musical deleted footage, unique dialogue soundtracks could not be found, so many of the deleted scenes had to be re-dubbed.) While I engage the restored version despite the dubbing flaws, I assume it would be wise of Disney to release both versions on DVD. Next year is the 35th Anniversary - maybe Disney will develop a 2-disc DVD featuring both editions, with bonuses spread out on each disc, to appease all fans. Or better yet, a 3-Disc Collector’s Edition, with discs 1 and 2 containing both cuts of the film and disc 3 with all the supplements. While neither edition is likely, the 2-Disc is a more likely option.

In conclusion, I can heartily recommend this DVD. The film has been lovingly restored and remastered, featuring almost all of the footage left on the cutting room floor in 1971, and features a nice handful of bonuses.
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